Index


Elin Araçları,
Soyu Tükenen Çizim Enstrümanları

Paper-Fortune 
Table as a Dirty-Drawing
1:1@1
Canlı Kartografya, Yerin Transkriptleri
Lines of/for/among/around 
architecture

Drawing Atlas
on Atlas
Spirited Beyond: Speculative Perspectival Distortions & Embodied Investigations 
Bio-materials & Composites 
Crafting 3D Printing
Kağıt-Oluşlar l Paper-Beings
Topographical Narratives
Kite/Uçurtma
Fairytale
Marble Labyrinth
Other Technicalities
Who is there? Second life of lines
Snapology
New Year’s Lantern
Imaginary Landscapes
Geometric Stitching
No More No Less
Tacit Dimension of A Painting
Kinetic Constructions
3D Woven Paper Structures
/O-Knitting

Bilinmeyen İstikametler
Bürosu: Boğaz(içi)

Müsvedde
Bedeni Dokumak/Mimari Tekstiller
Basic Design Studio I-II
1:1@1 Venice/Carapace
Lines of Action
Architectural Drawing
Studio I-II

Hybrid Drawing
Assos Kazısı
Ruins and Phantoms at Assos
a Paper Museum
Soft Alphabet

Yaprak
Çizgiyi Kentte Yürüyüşe
Çıkarmak: Boğaz(İçi)
Günlükleri
Düşsel Atlaslar: Constant/Calvino Çizgiyi Çekmek ya da
Elin Manifestosu
Kıtanın Başkentleri:
Paris, Berlin
Paris’in Psikocoğrafyası:
Çıplak Kent

Tipsizlik üzerine Tayfun Gülnar’ın Mimari
Alemi

Dada Kılavuz
Cehennem Mimarlığı Gordon Matta Clark, Çizgi, 
Kırık, Kesik, Dikiz, Dizi

İçe Bakış/Deniz Bilgin
Bir Anlık Sessizlik üzerine
e-skop yazıları
Nadire Kabinesi
Muhafaza/Mimarlık
Mario Carpo ile söyleşi
Uçmak üzerine
Halil Edhem/Müzecilik
Yazıları

Boş Ev
İllustrasyon




Information
Twitter
Instagram
Table/Masa

One Equals Many
Workshop & Lecture / Online
TEDU, Ankara
ARCH201, Fall 2020-2021 
December 11, 2020, 10.30-15.00


                


This workshop explores the modes of being on the table as well as constructing a “table” through verbal, visual and tectonic conversations through drawing the line. A broadened drawing-scape for a journey of a variety of lines will be encouraged.  

The meaning of table, the image of table, the purpose of table, the spatiality of table, being on the table will be questioned.  Table will be dreamed and reconstructed as a paper construction that provides a dialogue between drawings, between us.


Tools & Materials: Drawing pencils, 35x50 cm drawing papers (200gr), 2 geodreiecks or set squares, compass, scissors/cutter, paper tape, cutting mat, crayon/pastels, ink, ink brush, watercolor; mobile phone, laptop

Mediums: Adobe Scan (ios, android), Miro, Zoom

Flow:

  • Meeting & Warm-up – who is who + blind contour exercise, getting familiar with Bilge  

  • Table- A verbal and visual conversation about “Table” – speculative and provocative contributions/contributors to become a “table” (Allan Wexler, Jeremy Till, Enric Miralles, Flores & Prats, Aslıhan Demirtaş…)

  • Phase I: Table(s) in-situ – what is/are on the table?  [Table as an assemblage and composition] - documentation + freehand drawing 

  • Phase II: Studies for Table transformations  [discussion over the image of table in our minds and reconstructing the table through various operations. Dreaming and speculating will be highly encouraged ] drawing construction

  • Phase III: Table Conversation, two (not) too large table - drawing construction - working in groups of 2 / four hands thinking -axonometric drawing revisited